“Air Max Days” at Overkill / 7th chapter – Air Max 95

Ein guter Freund der Overkill Familie, einer der kreativsten Köpfe Berlins, Paul Snowden, erzählt seine Geschichte rund um den Air Max 95. Ich hoffe ihr seid der englischen Sprache mächtig, und falls nicht….verstehen werdet ihr es trotzdem, ganz sicher sogar… 😉

Here we go:

“my name is paul james snowden.

i was born in new zealand and i reckon ive earned the honor to proudly call myself a berliner. i studied art in hamburg, worked at springer & jacoby and then moved here.

1999 were i have been very busy. ive designed too many record covers, thrown away a lot of sneakers i wore to death, and ive done my share of raving.

i could bore you to death with my old people blah, but let the internet do the talking – my current company is called SNOWDEN, www.snowden.de here you can see our best work. and here you can see some other things i did www.paulsnowden-collectedworks.tumblr.com.

my wife found, owns and runs kimchi princess and our wonder daughter just turned 3. we live in kreuzberg.

it was the year 1995 i lived in hamburg and i was 25.

christoph de babalon and i were running our label “CROSS FADE ENTER TAINMENT” which was coined extreme electronic noise label, i was ditching my art school paintbrushes for the computer room and getting my head around the apple classic, hypercard and aldus freehand.
i was churning out black and white xeroxed flyers for hamburgs very lively drum & bass scene for powerhouse on st.pauli. “Clan in the front, let your feet stomp, Niggas on the left, rag shit to death, Hoods on the right, wild for the night, Punks in the back, come on in the track to what”. the fashion was very inner city anti surveillance urban survival driven. black CFET tshirt, sabotage sweatshirt, marharishi baggies, air max 95’s and some mad jacket i bought at harrods. everyone was fueled with a whole lot of club mate.

as some straight edge student somewhere between art and advertising i was amazed from the stuff wieden & kennedy was doing especially for nike. the air max 95 advert which i saw in raygun was a packshot, shot from behind and a bit high up.
the angle was weird. just a randomly chic placed swoosh, some telephone number and amazing product. the angle was so anti advertising, so cool and so anarchistic, the whole campaign was amazing in its simplicity so in this time my mind was set, fuck this art school shit, i wanna do advertising.

the air max 95 is a combination of so much – a brilliant advert from a amazing agency presenting a product which was and still remains one of nikes most legendary pieces.
the colours, the greys, the fade, the mesh, the neon swoosh, the 3m, the price, the thick laces, the whole compactness of the shoe, so chunky, but yet so elegant. its art ready for warfare.

i finished art school and got me a diploma no one wanted to see, despite my work is drenched with my art school years, i went on into advertising and design and never looked back. im writing this on the way to dubai, where my agency SNOWDEN is doing creative for nike air max day 2014, in the worlds biggest shoe shop, in the worlds biggest shopping mall, for in all due respect to everyone else we work for – my favourite client/brand/product – nike.

ps.: sadly but happily had to choose the 95 because, the nike air max 180 – original colourway – my all time favourite ultimate shoe which i could write books about, was alas, taken by – “iceberg” – lucky you. question: do i really have to give them back?”

5AIR MAX VINTAGE 95 - OVERKILL 4AIR MAX VINTAGE 95 - OVERKILL 3AIR MAX VINTAGE 95 - OVERKILL 2AIR MAX VINTAGE 95 - OVERKILL 1AIR MAX VINTAGE 95 - OVERKILL

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